Trắc nghiệm Âm nhạc 12 chân trời sáng tạo Bài 11 Hát: Bài hợp xướng Vui hát lên bạn ơi
1. When singers in Vui hát lên bạn ơi are instructed to articulate their words clearly, what are they being asked to do?
A. Sing louder.
B. Make the consonants and vowels distinct and understandable.
C. Hold notes for longer durations.
D. Change the key of the song.
2. Which element of musical performance is crucial for a choir like the one singing Vui hát lên bạn ơi to achieve a cohesive sound?
A. Individual improvisation by each singer.
B. Precise intonation and rhythmic coordination among singers.
C. The use of electronic effects on all vocal lines.
D. A focus on a single, dominant melodic line without harmony.
3. What is the primary characteristic of a Vui hát lên bạn ơi choir piece that makes it engaging for young performers?
A. Its complex harmonic structures requiring advanced vocal technique.
B. Its energetic tempo and uplifting melodies that encourage joyful expression.
C. Its reliance on solo performances with minimal choral participation.
D. Its somber mood and introspective lyrical content.
4. What is the most probable function of a bridge section in Vui hát lên bạn ơi?
A. To repeat the main chorus.
B. To provide a contrasting musical idea or transition to a new section.
C. To end the song abruptly.
D. To introduce a solo instrumental part only.
5. In the context of Vui hát lên bạn ơi, what does the term hợp xướng (choir) primarily refer to?
A. A single solo vocalist performing a song.
B. A group of singers performing together, often with multiple vocal parts.
C. A musical ensemble primarily composed of brass instruments.
D. A dance routine performed to instrumental music.
6. What emotional impact is Vui hát lên bạn ơi generally intended to evoke in the audience?
A. Sadness and reflection.
B. Excitement and happiness.
C. Tension and suspense.
D. Nostalgia and longing.
7. What does the term bè (voice part) signify in the context of a choir singing Vui hát lên bạn ơi?
A. The tempo of the song.
B. A specific range of vocal pitches sung by a subgroup of singers.
C. The dynamics of the performance.
D. The type of musical instrument used.
8. Why is good posture important for singers performing Vui hát lên bạn ơi?
A. It helps singers hide their sheet music.
B. It facilitates proper breath control and vocal projection.
C. It is purely for aesthetic appearance with no functional impact.
D. It allows singers to use their phones discreetly.
9. What does it mean for a choir to sing in tune when performing Vui hát lên bạn ơi?
A. All singers sing at the same volume.
B. All singers produce the correct pitches relative to each other and the established key.
C. All singers use the same vocal timbre.
D. All singers sing at the same tempo.
10. What is the likely tempo marking for a piece titled Vui hát lên bạn ơi intended for an energetic performance?
A. Largo (very slow)
B. Andante (walking pace)
C. Allegro (fast and lively)
D. Adagio (slow and stately)
11. Consider the potential structure of Vui hát lên bạn ơi. What is a common organizational pattern for choir pieces?
A. A single, continuous movement without repetition.
B. Verse-chorus structure or AABA form.
C. Randomly arranged sections with no discernible pattern.
D. A purely instrumental overture.
12. Which of the following is NOT a typical voice part in a standard SATB choir arrangement for a song like Vui hát lên bạn ơi?
A. Soprano
B. Alto
C. Baritone
D. Tenor
13. If a section of Vui hát lên bạn ơi is marked crescendo, what should the singers do?
A. Sing softer.
B. Gradually increase their volume.
C. Hold the note without changing volume.
D. Sing a different melody.
14. When learning Vui hát lên bạn ơi, what is a typical initial step for a choir director?
A. Teaching complex instrumental solos.
B. Introducing the melody and basic rhythmic patterns to the singers.
C. Focusing solely on advanced music theory concepts.
D. Practicing individual vocal warm-ups without the song.
15. When a choir is asked to sing with expression, what are they primarily focusing on?
A. Singing as loudly as possible.
B. Conveying the emotional content and musicality of the piece.
C. Memorizing the entire score perfectly.
D. Following only the rhythmic patterns.
16. What is the role of a choir master or director in preparing Vui hát lên bạn ơi?
A. To exclusively focus on the audiences reaction.
B. To guide the rehearsal process, interpret the music, and shape the ensembles performance.
C. To distribute lyrics only.
D. To play a solo instrument during the performance.
17. If Vui hát lên bạn ơi is described as having a homophonic texture, what is the most likely arrangement of vocal parts?
A. Each voice part sings a different melody simultaneously.
B. All voice parts sing the same melody in unison or in octaves.
C. One main melody is supported by harmonic accompaniment from other voice parts.
D. No discernible melody is present, only rhythmic chanting.
18. What might be a common vocal range explored in a choir piece like Vui hát lên bạn ơi to accommodate different voice types?
A. A very narrow range, suitable only for sopranos.
B. A broad range encompassing bass, tenor, alto, and soprano parts.
C. A range limited to spoken word without singing.
D. A range exclusively for percussion instruments.
19. If Vui hát lên bạn ơi features a call-and-response section, what musical technique is being employed?
A. Unison singing.
B. A dialogue between different sections of the choir.
C. Strictly homophonic texture.
D. Monophonic melody.
20. What is the primary function of lyrics in Vui hát lên bạn ơi?
A. To provide a rhythmic accompaniment.
B. To convey a message, story, or emotion.
C. To test the singers memory.
D. To distract from the melody.
21. What is the role of the conductor in a choir performing Vui hát lên bạn ơi?
A. To sing the loudest part solo.
B. To lead the choir, setting tempo, dynamics, and cueing entries.
C. To play a solo instrument accompaniment.
D. To write down the musical score during the performance.
22. What does it mean for a choir to achieve blend in their sound during Vui hát lên bạn ơi?
A. Each singer tries to be the loudest.
B. The individual voices combine smoothly to create a unified, homogeneous sound.
C. The choir only sings one note at a time.
D. The choir switches instruments randomly.
23. When a choir is practicing Vui hát lên bạn ơi, what does sight-singing refer to?
A. Singing the song from memory.
B. Singing a musical piece by reading the notation for the first time.
C. Singing with eyes closed.
D. Singing without any sheet music.
24. What is the significance of dynamics (e.g., piano for soft, forte for loud) in interpreting Vui hát lên bạn ơi?
A. They indicate the number of singers.
B. They convey emotional nuances and shape the musical phrases.
C. They dictate the tempo of the song.
D. They are irrelevant to the performance of choral music.
25. If Vui hát lên bạn ơi is characterized by a polyphonic texture, how would the vocal parts likely interact?
A. All voices sing the same melody in unison.
B. Several independent melodic lines are sung simultaneously.
C. One melody is supported by chords.
D. Rhythmic chanting without melody.
